With a golden aura of old-world masterful charm, the two flawless women in this depiction seem dehumanized, leading mindless, soulless, painless, and pointless lives.

The gauze on their bodies reflects their evolution; the sterility of their existence is further underscored by the bright, almost surgical light that floods the scene. The figure on the left is reserved but accepting, with her hands slightly open towards the viewer.

The figure on the right has more trepidation, and with her hands closed and turned away, she clearly rejects.

Conceived and undertaken years before the advent of the coronavirus and its ensuing climate, Martin Llamedo
has proven himself eerily prescient of alienating trends in modern society. He offers us a sobering glimpse and a stark warning of what we may become if we no longer respect our individual uniqueness as human beings.

Martin Llamedo is an ultra-immaculate artist with a heightened attention to detail in both his preliminary planning and the actual execution of the artwork.

He is highly versatile in the arts and has experience working with sculpture, music, and curating the sets of theater productions. He also holds a Master’s degree from the National University of Art in Buenos Aires, Argentina.